Monday, August 15, 2016

We're the Bad Guys: Suicide Squad

I haven’t been doing reviews much, but even if I don’t do any more, Suicide Squad is something that needs a bit more of a thumbs up/thumbs down...or a petition to close down a movie review site that was always biased and anti-genre so why does it get this attention now? I’m going my best to avoid major spoilers, but don’t go past the second paragraph if you want to go in blind.

On paper, Suicide Squad sounds like a very, very bad movie. The plot is all over the place, it’s overburdened by an abundance of exposition, and the villains are less effective than the final boss of a video game. But it’s also fun, visually gorgeous, and created by actors and a director who either loved or were at least incredibly amused by what they were creating.


 These strengths and flaws are immediately evident within the first twenty minutes of the movie. Deadshot (Will Smith) and Harley Quinn (Margot Robbie) each have scenes where they get to portray their personalities (Will Smith and PG-13 Harley Quinn) and just what it will be like with these characters, which is every bit as fun as it sounds. We then continue to what is more or less a half an hour of Amanda Waller giving exposition about the backstories of these characters.

I can’t help but compare this to Guardians of the Galaxy. In Guardians, we get a few minutes of backstory about one character, and then the movie starts. Throughout the movie, we see more clips of Starlord’s backstory, and we get hints at the other members of the main cast. Sometimes this could be a bit shallow (I’d have loved to see some scenes of Gamora and Nebula when they were younger), but it was generally very well received and hurt the plot much less than too much backstory would have.
Three of the six members of the Suicide Squad get bits of their backstory sprinkled in where relevant. Harley, Deadshot, and Diablo all have pretty much enough. Captain Boomerang really doesn’t need this, and in fact he only has what backstory he does for the sake of the cameo included in it. One character’s fate might not have been so obvious if they had actually included him in the exposition dump, and another could have used this just so as not to become Generic Squad Member.

All of this makes the massive exposition dump about how each member was arrested particularly pointless. It doesn’t treat all of the Squad equally, and it detracts from other things that could have been included later. Interviews have indicated that both cannibals and crocodiles were studied in order to make Killer Croc stand out, yet all the movie gives him is that he was bullied because he was ugly.

From the portrayals in the film, though, I can believe that both David Ayer and the actors really did do all 
they could to make each character unique. And I wouldn’t mind the dark action scenes if not for the fact that Killer Croc is even harder to see in them than your average character of his ethnic background. Add this to the fact that they were fighting literal faceless grunts that would make the Putty Patrol seem like well fleshed-out characters and you get a film that is losing any reason to have these action scenes other than, you know, just to have action scenes.

Which brings us to the villains. Again, mixed bag. Wonderful effects. There were moments where I was transfixed by what was going on on-screen. Of course, they clearly couldn’t afford to keep all these effects up – or was the studio worried the audience would forget who the actress was? I can never keep these meta-reasons straight – because they dropped off the effect used to make the Big Bad scarier pretty early on, leaving to an endless torrent of people posting on social media about how unscary the actress's regular face is. I wouldn’t have even noticed it without these two aspects, though looking back I do think she could have piled on the “possessed by an evil spirit” acting...yet would that have undermined her whole “join me, as only I understand you” schtick? Funny thing about that, as somebody who didn’t see multiple takes as the Director surely did, I don’t know the answer to that.

Still, I’m qualified to criticize the villain’s plan. The villain resurrects her brother to fill in some of the holes in her plot and add more visual appeal, makes minions by making out with people, and sits working on something that she alternates between referring to as a spell or a machine. Her brother apparently just hangs around watching her instead of actually trying to stop the people determined to kill her, but you probably knew that already, didn’t you?

The making out with people is a strange touch and a topic I need to touch on. There doesn’t seem to be a reason beyond titillation for this, but it’s an extremely short cut. It’s as if there was somebody in the editing room setting a limit on potential male gaze scenes, as if to say “yes, there are straight men in the audience, but there are other people too”. A lot of people have criticized two scenes in particular, both relating to Harley Quinn (though oddly enough, the scene where she’s cage-dancing doesn’t get much attention). First is the scene in the trailer, where she strips down, puts on her brightly colored, non-prison-issue underwear and then her outfit, surrounded by staring soldiers. What people don’t realize is that there is literally about one second or less or Harley in her bra while she pulls her shirt down. There is a small amount of titillation in the scene and I’d be a fool to pretend there isn’t, but it’s a short scene focusing on how she (ignorantly or manipulatively) ignores social customs while focusing on her own needs (what some would call the definition of empowerment). Frankly, the only thing that disturbed me about this scene is when I was trying to find images for my Harley Quinn article and found multiple Youtube videos looping this scene on slow motion. Finally, there is the scene in which Harley is walking and gives a bit of a jiggle as her booty walks past the camera. Again, an extremely short cut. This draws the attention of the audience...but that’s why women in real life make the same gesture. They want someone to look at their butt. Except in this case, you don’t have the chance to stop and stare the way you would if someone did this in the mall...and you definitely don’t have a chance to take this to creepy levels. I guess what I’m saying is that there is some male gaze here, but it’s no more than real life, and it definitely didn’t give me the heebie-jeebies the way some of the scenes lingering on Gamora’s butt in Guardians did.


 Thus far, I’ve described Harley in two ways: wanting attention and either unaware of social norms or manipulatively acting as if she is. One thing I find interesting is that Robbie mentions how Quinn uses her psychological training to be manipulative, which indicates that her childish behavior (which I’ve otherwise been treating as a form of dissociation) may all be an act (which is, intentionally or coincidentally, an ongoing discussion about dissociative conditions in the first place). The point here is that Harley is just as fun and interesting to watch as she was in Batman: The Animated Series when she was introduced. She is pretty much the same character without adhering to cartoon physics (although she may still have access to hammerspace). Deadshot is pretty much Will Smith from every Sci-Fi movie with a hint of sociopath added in for fun. I don’t think I’m doing a very good job of describing it because watching these two work – especially around “civilians” – is just pure fun. They pretty much make the movie. Even when they’re taking a few minutes away from doing nothing to do nothing before doing nothing for no reason.



And uh, the Joker. He’s in this movie too much, almost to the point where it feels like not enough. He’s in two or three scenes that are important to Harley’s backstory (which only highlight the fact that Harley is the star of the film) and then another three or four scenes in which he reminds the audience “hey, I’m still here”. I can’t help but wonder given some of the things that were obviously influenced by studio concerns if there was some demand to feature a “better known” character more frequently, thereby breaking up the already choppy plot even further. That’s all speculation though.

If it’s not clear, I love Suicide Squad even though it’s a deeply flawed movie. If there was a show about Deadshot and Harley going on a road trip and just meeting people, I would watch it, except it would never happen because TV can’t afford Will Smith anymore. Every minute, with or without these two, was usually entertaining, and I have no complaints about any of the visuals or the cinematography. The story is fairly straight-forwarded, just presented in a very clumsy way, and if you’re looking for a popcorn flick it’s a great experience. It’s just not something to watch for deep story, unique problem-solving, or powerful allegories, but it’s a great time if you want to see anti-heroes coming together and overcoming a powerful foe. Considering this is a very popular topic right now (and I could speculate as to reasons why, but instead I’m just going to point to Guardians of the Galaxy, Deadpool, and even Daredevil and Jessica Jones), it’s certainly found the right time to come out. I just hope the seeds it’s planted can come to fruition in Batfleck and turn out something really cool...like a Harley and Ivy movie.

For more of my thoughts on Suicide Squad, check out this piece I wrote about Harley Quinn on Insomniatic.

1 comment:

SQT said...

I enjoyed this one too even though it's easy to pick it apart. Harley Quinn is the star for sure and I can't wait to see more of her.